{"id":1548,"date":"2026-09-22T09:07:13","date_gmt":"2026-09-22T07:07:13","guid":{"rendered":"https:\/\/violina.si\/?p=1548"},"modified":"2026-09-22T09:07:55","modified_gmt":"2026-09-22T07:07:55","slug":"why-listening-to-music-is-important-not-just-playing-it","status":"publish","type":"post","link":"https:\/\/violina.si\/en\/why-listening-to-music-is-important-not-just-playing-it\/","title":{"rendered":"Why is listening to music important, not just playing it?"},"content":{"rendered":"WHY IS LISTENING TO MUSIC IMPORTANT, NOT JUST PLAYING IT?\n<\/h1>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;&gt;\" <strong=\"\">When parents ask how they can help their child progress at home, they often expect advice on extra practice \u2013 another hour at the piano, one more repetition of a scale. Yet one of the most powerful, and yet frequently overlooked, tools for musical progress is not in the fingers at all. It is in the ears.\n<br><\/span><\/p>\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;&gt;\" <strong=\"\">Vsak izmed nas, ki je kdaj sedel na koncertu ali si doma predvajal najljub\u0161o skladbo, ve, da poslu\u0161anje glasbe ni &#8220;ni\u010d&#8221; \u2013 nekaj se dogaja. A razlika med tem, kako poslu\u0161amo glasbo v ozadju med kuhanjem, in tem, kako jo poslu\u0161a glasbenik, ki se u\u010di igrati isto skladbo, je ogromna. In prav ta razlika je tista, ki lahko iz povpre\u010dnega u\u010denca naredi res dobrega glasbenika.<br><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n<h3>Two types of listening \u2013 and why it is worth distinguishing them<br><br><\/h3>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\">Music education experts distinguish between two fundamentally different ways of listening.<br><\/span><\/p>\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\"><strong>Passive<\/strong> <strong>Listening<\/strong> je tisto, kar po\u010dnemo najve\u010dkrat \u2013 glasba te\u010de v ozadju, medtem ko vozimo, pospravljamo ali se u\u010dimo za drug predmet. Je prijetno, spro\u0161\u010dujo\u010de in ima svojo vrednost, a mo\u017egani ga obdelujejo bolj kot &#8220;vzdu\u0161je&#8221; kot pa kot vsebino, ki jo je treba razumeti.<\/span><\/p>\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\"><strong>Active<\/strong> <strong>Listening<\/strong> pa je popolnoma druga\u010dna izku\u0161nja. Pri njem se glasbi posvetimo z enako pozornostjo, kot bi jo posvetili branju knjige ali ogledovanju slike \u2013 ujamemo vsak niansiran ton, vsako frazo, vsak ritmi\u010dni vzorec. Ko u\u010denec tako poslu\u0161a, njegovi mo\u017egani ne le &#8220;sli\u0161ijo&#8221; glasbo, ampak jo aktivno razgrajujejo: prepoznavajo melodijo, harmonijo, dinamiko in barvo zvoka posameznih glasbil.<\/span><\/p>\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\">It is interesting that we can listen to the same piece of music once in passing and another time entirely intentionally \u2013 and only the second time notice details that completely escaped us before. Perhaps only then do we hear how the sound of the violin weaves through the piano accompaniment, how the composer gradually builds tension before the peak of the movement, or how the tempo imperceptibly accelerates towards the end of the phrase. Researchers compare this to peeling an onion \u2013 layer by layer, we discover how the piece was actually constructed.<\/span><\/p>\n\n\n\n\n\n\n\n<h3>What does this mean for a piano or violin student<br><br><\/h3>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\">When a child \u2013 or an adult learner \u2013 regularly and purposefully listens to the music they are playing or are just learning to play, several things happen simultaneously, and all of them work to the benefit of their progress:<br><\/span><\/p>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\"><strong>Ears<\/strong> <strong>with<\/strong> &#8220;<strong>learn<\/strong>&#8221; <strong>formerly<\/strong> <strong>and<\/strong> <strong>fingers<\/strong>. \u010ce u\u010denec dobro pozna zvok skladbe, preden se je loti na in\u0161trumentu, veliko la\u017eje prepozna, ali igra pravilno. To je \u0161e posebej pomembno pri violini, kjer intonacija ni vnaprej dolo\u010dena tako kot pri klavirskih tipkah \u2013 uho mora &#8220;vedeti&#8221;, kako naj skladba zveni, da lahko prst najde pravo mesto na strunah.<br><\/span><\/p>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\"><strong>Develops<\/strong> <strong>with<\/strong> <strong>Music<\/strong> <strong>taste<\/strong> <strong>and<\/strong> <strong>Understanding<\/strong> <strong>slogan<\/strong>. Ko u\u010denec poslu\u0161a ve\u010d razli\u010dnih izvedb iste skladbe \u2013 morda eno bolj umirjeno, drugo bolj dramati\u010dno \u2013 hitro spozna, da ne obstaja en sam &#8220;pravilen&#8221; na\u010din igranja. To je dragocena in osvobajajo\u010da lekcija za vsakega mladega glasbenika, ki se sicer pogosto boji, da bo naredil napako.<br><\/span><\/p>\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\"><strong>Practice<\/strong> <strong>becomes<\/strong> <strong>more<\/strong> <strong>meaningful<\/strong> <strong>and<\/strong> <strong>minjaer<\/strong> <strong>mechanical<\/strong>. Namesto ponavljanja zaporedja not, ne da bi vedel, kam skladba pravzaprav &#8220;pelje&#8221;, u\u010denec, ki skladbo pozna od znotraj, razume njeno strukturo, njen \u010dustveni lok. To pove\u010da motivacijo za vajo doma \u2013 vadi zato, ker \u017eeli ujeti nekaj, kar je \u017ee sli\u0161al in mu je bilo v\u0161e\u010d, ne zgolj zato, ker mu je bilo naro\u010deno.<br><\/span><\/p>\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\"><strong>Crepe<\/strong> <strong>with<\/strong> <strong>Music<\/strong> <strong>memory<\/strong>. Raziskave na podro\u010dju izobra\u017eevanja ka\u017eejo, da aktivne metode poslu\u0161anja \u2013 kjer u\u010denci ne le sli\u0161ijo, ampak tudi analizirajo in vrednotijo, kar sli\u0161ijo \u2013 merljivo izbolj\u0161ajo sposobnost prepoznavanja glasbenih elementov v primerjavi s pasivnim poslu\u0161anjem. Z drugimi besedami: poslu\u0161anje ni le prijetna dopolnitev vadbe, temve\u010d trening, ki neposredno krepi glasbeni &#8220;posluh&#8221; v pravem pomenu besede.<br><\/span><\/p>\n\n\n\n\n\n\n\n<p>Lorem Ipsum has been the industry&#8217;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n\n\n\n<h3>Not just for performance \u2013 for wellbeing too<br><br><\/h3>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\">The benefits of listening to music extend far beyond playing an instrument.<br><\/span><\/p>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\">Research shows that listening to music \u2013 especially calm, classical music \u2013 can lower levels of cortisol, the stress-related hormone, and help the body to calm down physiologically: heart rate, blood pressure and feelings of inner restlessness are reduced. One study showed that participants who listened to classical music for 45 minutes before sleep slept significantly better than those who listened to an audiobook or didn't listen to anything at all.<br><\/span><\/p>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\">Za otroke in mladostnike, ki se pripravljajo na nastop, avdicijo ali tekmovanje, je lahko preprost ve\u010derni ritual poslu\u0161anja priljubljene skladbe \u2013 brez telefona, brez pritiska po &#8220;pravilnem&#8221; igranju \u2013 u\u010dinkovit na\u010din za umiritev treme pred pomembnim dogodkom.<br><\/span><\/p>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\">Poleg tega aktivno poslu\u0161anje spodbuja predele mo\u017eganov, povezane s \u010dustveno regulacijo \u2013 lahko namre\u010d aktivira prefrontalni korteks, ki pomaga uravnavati \u010dustvene odzive, ki izvirajo iz amigdale, torej dela mo\u017eganov, odgovornega za strah in stres. Prijetna glasba spro\u017ea tudi spro\u0161\u010danje nevrotransmiterjev, kot sta serotonin in dopamin, ki neposredno vplivata na razpolo\u017eenje. Povedano preprosto: poslu\u0161anje glasbe ni &#8220;izguba \u010dasa&#8221; med vadbo. Je del tega, kako se otrok nau\u010di nadzorovati svoja \u010dustva \u2013 na odru in tudi zunaj njega.<br><\/span><\/p>\n\n\n\n\n\n\n\n<h3>How to put listening into practice at home<br><br><\/h3>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\">Teorija je lepa, a star\u0161e najbolj zanima, kako to prenesti v vsakdan, ne da bi iz poslu\u0161anja naredili \u0161e eno &#8220;obveznost&#8221;, ki bo otroka odvrnila od glasbe.<br><br><\/span><\/p>\n\n\n\n\n\n\n\n<p><ul><li><span style=\"color: rgb(0, 51, 102); font-size: medium;\">Poslu\u0161ajta skupaj, ne posami\u010d. Namesto da otroku samo naro\u010dite, naj si nekaj poslu\u0161a, si vzemite 5 minut in poslu\u0161ajta skupaj \u2013 brez telefona, brez ozadnjega hrupa. Skupno do\u017eivetje je veliko mo\u010dnej\u0161e kot samostojna &#8220;doma\u010da naloga&#8221;.<\/span><\/li><li><span style=\"color: rgb(0, 51, 102); font-size: medium;\">Choose a recording of the same piece the pupil is currently practising. Find a performance by a renowned musician and listen to it together with the instrument in your lap \u2013 perhaps even with the sheet music in front of you so the child can follow what is happening.\nAfter listening, talk about it. Ask: What did you like most? Would you play anything differently? Was it faster or slower than you expected? This encourages the child to think like a musician, not just as a performer.<\/span><\/li><li><span style=\"color: rgb(0, 51, 102); font-size: medium;\">Poslu\u0161ajte tudi razli\u010dice, ki niso &#8220;popolne&#8221;. Amaterski posnetki ali posnetki vrstnikov lahko nau\u010dijo otroka, da je napaka del poti \u2013 ne nekaj, \u010desar se je treba sramovati.<\/span><\/li><li><span style=\"color: rgb(0, 51, 102); font-size: medium;\">Naredite iz tega ritual, ne pravilo. Nekaj minut poslu\u0161anja pred ali po vadbi, redno, je veliko bolj u\u010dinkovito kot ob\u010dasna dolga &#8220;poslu\u0161alna seja&#8221;.<\/span><br><\/li><\/ul><\/p>\n\n\n\n\n\n\n\n<h3>Conclusion<br><\/h3>\n\n\n\n\n\n\n\n<p><span style=\"color: rgb(0, 51, 102); font-size: medium;\">Music education often becomes a synonym for hourly practice, scales and the repetition of the same bars. But true musical growth doesn't only happen in the fingers \u2013 it also happens in the ears when a pupil learns to truly listen. Listening is not a break from practice. It is its quiet yet indispensable part.<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Why listening to music when learning the piano or violin is just as important as practice \u2013 and how to easily incorporate this at home.<\/p>","protected":false},"author":2,"featured_media":1549,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"categories":[33,37,65,38,30],"tags":[57,77,54,85,42,45,88,36,32,56,90],"class_list":["post-1548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-glasbena-teorija","category-klavir","category-odrasli","category-otroci","category-violina","tag-glasba","tag-glasbena","tag-instrument","tag-napredek","tag-odrasli","tag-otroci","tag-poslusanje-glasbe","tag-ucenje","tag-ucenje-instrumenta","tag-ucne-ure","tag-ucne-ure-instrumenta"],"_links":{"self":[{"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/posts\/1548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/comments?post=1548"}],"version-history":[{"count":2,"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/posts\/1548\/revisions"}],"predecessor-version":[{"id":1551,"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/posts\/1548\/revisions\/1551"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/media\/1549"}],"wp:attachment":[{"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/media?parent=1548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/categories?post=1548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/violina.si\/en\/wp-json\/wp\/v2\/tags?post=1548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}